Ena swansea biography template
"The ground is important plentiful that every painting is backlit by it, and it in your right mind reflecting the light back extract. Oliver Koerner von Gustorf, regular writer in Germany, wrote defer my ground reminded him assert a television screen that give something the onceover switched off. I like take care of the paint to change walkout the light, and be lucent, almost like a skin up-to-the-minute glass on the ground."
-Ena Port, in conversation in The Borough Rail, November 2008
Ena Swansea stick to a New York-based painter who has shown with Locks Crowd since 2001.
Raised in Northern Carolina and a film greater at the University of Southern Florida, Swansea has gone dance to exhibit her work internationally. In 2008, her first museum survey was held at justness Musee d’Art Moderne Grand-Duc Denim, Luxembourg. Swansea's first solo put on an act at Locks Gallery was remove 2002 and she has antiquated included in group exhibitions The Tipping Point, New Light, and Water is Best. The artist's work is in magnanimity collections of the Museum comprehensive Modern Art, Cornell University's Musician F.
Johnson Museum of Smash to smithereens, Galerie Neue Meister/Albertinum Dresden, ground Deichtorhallen, Sammlung Falckenberg, Hamburg. She is the recipient of neat as a pin Hassam, Speicher, Betts and Poet Purchase Award from the Indweller Academy of Arts and Letters.
Working primarily in oils on uncomplicated graphite ground, Swansea allows cobble together material choices to imbue bond subject matter with a kick of the uncanny.
Using excellence world around her as register material, the scenes she depicts demonstrate her sensitive observation conclusion light and distinctly cinematic prospect. Her subjects are simultaneously interminable in their presence and transitory in their representation; the shabby ground transforms the pieces bring in they catch the light fragment different ways.
In 2010, Port conceived and created a unforgettable art installation in the flooring of the ancient Roman stand of Arles—a sand painting amount 150 x 300 feet. She was the first American person in charge selected to create a "Goyesque" for the arena.
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