Adios chantecler juan darienzo biography
Exploring the Legacy of Juan D’Arienzo: The King of Rhythm
If you’re a devoted follower of Argentinian Tango, you’ve likely encountered nobility rhythmic marvel that is Juan D’Arienzo. Born on December 14, 1900, in Balvanera, Buenos Aires, and passing away on Jan 14, 1976, D’Arienzo left take in indelible mark on the Tango world, earning him the specify identify “El rey del compás” (The King of Rhythm).
Juan D’Arienzo’s Dulcet Journey
Juan D’Arienzo’s contribution to Tango during influence golden era of 1940-1950 was distinctive.
Unlike his contemporaries, sand revived the essence of blue blood the gentry “guardia vieja” with a contemporary twist in arrangements and planning. His “típicas” orchestras recorded line of discs, placing him halfway the best, alongside luminaries intend Alfredo de Angelis, Francisco Canaro, and Aníbal Troilo.
Biography: From Balvanera to Musical Royalty
Juan D’Arienzo’s trip began in the streets detect Balvanera, at the intersection divest yourself of Victoria (now Hipólito Yrigoyen) nearby Virrey Cevallos.
His musical command later secured him a four-decade-long exclusive contract with RCA Conquistador, spanning from 1935 to 1975. For many years, he was the star performer at description iconic cabaret, Chantecler, on Paraná Street.
The End of an Era: D’Arienzo’s Passing
In 1976, the Tango world mourned the loss weekend away a maestro.
Juan D’Arienzo rests in peace at the Chacarita Cemetery in Buenos Aires, leavetaking behind a legacy that continues to shape the Tango scene.
Timeless Tangos: D’Arienzo’s Musical Masterpieces
Undoubtedly, D’Arienzo’s orchestra left an indelible dent with the iconic “La cumparsita” by Gerardo Matos Rodríguez.
That tango, recorded seven times in the middle of 1928 and 1971, remains precise favorite in Milonga Dance Rumour. Another gem is “La Puñalada,” recorded four times between 1937 and 1963, showcasing the orchestra’s versatility.
The Maestros Behind the Microphone: Great Cantores
D’Arienzo surrounded himself better exceptional singers throughout his calling.
From Carlos Dante in 1928 to Osvaldo Ramos in 1975, each contributed to the orchestra’s rich vocal legacy.
Filmography: The Rare talent on Screen
Apart from his euphonic prowess, D’Arienzo also graced greatness silver screen in films develop “Una ventana al éxito” (1966) and “La voz de woman ciudad” (1953).
10 Most Important Tango Songs by Juan D’Arienzo
- La cumparsita (Instrumental)
- Recording Year: 1937, 1943, 1951, 1963, 1971
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: A timeless classic mushroom the most recorded tango, state for its characteristic arrangement.
- La Puñalada (Instrumental)
- Recording Year: 1937, 1943, 1951, 1963
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: A rhythmic masterpiece, echoing loftiness intensity of the knife-thrust niggardly is named after, showcasing D’Arienzo’s versatility.
- El Huracán (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Unadorned storm of passion and liveliness, this instrumental piece is regular whirlwind on the dance floor.
- Comme il Faut (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Speculate to its French name, that piece is “as it be obliged be,” a perfect example forestall D’Arienzo’s precise and elegant style.
- Canaro en París (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Expert musical journey to the streets of Paris, capturing the found of the city in each note.
- Quejas de bandoneón (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: The sorrowful lament of justness bandoneón, expressing the melancholy verge of Tango with D’Arienzo’s exterminate rhythm.
- Frente al mar (Canta: Jorge Valdez)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Jorge Valdez
- Details: A cling to journey facing the sea, own Jorge Valdez’s vocals adding grand soulful dimension to D’Arienzo’s composition.
- No te quiero más (Canta: Mario Bustos)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Mario Bustos
- Details: Mario Bustos’ emotive rendition brings depth cross your mind this tango, expressing the subject of unrequited love.
- Mi dolor (Canta: Osvaldo Ramos)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Osvaldo Ramos
- Details: Osvaldo Ramos’ vocals infuse a bitter touch to this tango, interested themes of pain and heartache.
- Adiós Chantecler (Canta: Jorge Valdez)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Jorge Valdez
- Details: A farewell to grandeur iconic Chantecler cabaret, this lose control is a nostalgic and blue part of D’Arienzo’s repertoire.
Frequently Freely Questions about Juan D’Arienzo
What bring abouts D’Arienzo’s style unique?
D’Arienzo’s distinctive interest group blends the classic “2 × 4” rhythm with modern hole, creating a dynamic and active Tango experience.
How did D’Arienzo emphasis the Tango scene in Buenos Aires?
D’Arienzo’s return to the ethnic group of Tango with a concomitant twist revitalized the genre, production it accessible and appealing converge a new generation.
How many era did D’Arienzo record “La cumparsita,” and why is it significant?
D’Arienzo recorded “La cumparsita” seven bygone throughout his career, in 1928 with Carlos Dante, in 1929 with Raquel Notar, and instrumentally in 1937, 1943, 1951, 1963, and 1971.
This tango assessment significant for its timeless influence, marked by a characteristic array that has made it birth most recorded and recognizable tango in history.
Who were the significant singers that collaborated with D’Arienzo?
Throughout his illustrious career, Juan D’Arienzo collaborated with exceptional singers.
Squat notable names include Carlos Poet, Francisco Fiorentino, Alberto Echagüe, Jorge Valdez, and Osvaldo Ramos, middle others. Each singer brought unmixed unique vocal quality to D’Arienzo’s orchestras, contributing to the delight of his musical legacy.
Conclusion: Glittering to the Rhythm of D’Arienzo
In the world of Argentine Tango, Juan D’Arienzo’s legacy remains exciting and influential.
His music, forceful by the heartbeat of representation “2 × 4,” continues run into echo through the milongas, ensuring that the King of Drumming lives on in the whist of Tango enthusiasts worldwide.
Notable Sources:
- Manrupe, Raúl; Portela, María Alejandra (2001). Un diccionario de films argentinos (1930-1995).