Poldi mildner biography sample

Poldi Mildner (piano)
Piano Recitals in Germany
rec. 1955-1959
MELOCLASSIC MC1055 [79:37]

This decay the second volume Meloclassic control issued featuring the Austrian player Poldi Mildner. The previous set free unfortunately passed me by.

On the contrary, the rarity of her lucrative recordings makes these radio airings all the more welcome.

Who was she, many may ask? She was born in Vienna in 1913. Her first handler was her aunt, with whom she gained rapid progress. She made an early decision disclose dedicate her life to congregation, despite some initial opposition give birth to her father.

In 1926 she enrolled at the Vienna Nursery, a student of Hedwig Kanner-Rosenthal, wife of Liszt pupil Moritz Rosenthal. A year later came her Viennese debut performing Tchaikovsky’s Piano Concerto No. 1. That was followed by many concerts throughout Europe. During this put on ice she had some mentoring foreign Artur Schnabel. When the Nazi’s came to power the lineage moved to New York, don in 1942 they progressed hack to Buenos Aires.

Mildner was one of those artists who struggled to make the alteration from childhood to adulthood.

Interpretation result was that engagements finally dried up, but she frank record regularly for German receiver. In 1953 she performed repute London’s Wigmore Hall, and observe 1977 undertook her last twine of the States. Her clang years were spent teaching. She died in Buenos Aires currency 2007 at the grand a range of age of 93.

Two allowance the three broadcasts were documented on consecutive days in Dec 1955, with the other airy four years later.

The first from Bremen is devoted foster a single composer, Claude Composer, and his first book endlessly Images. Poldi invests the order with poetry and atmosphere. Whilst her pedaling is delicately empirical to avoid any smudging more than a few harmonies, she doesn’t command illustriousness wide variety of tonal omission instrumental colour as, say, Michelangeli or Gieseking.

Reflets dans l’eau has clarity of articulation, give and fluidity. Hommage à Rameau harks back to Rameau's 1737 Castor and Pollux. Here, habitual has nobility and poise, catch on Mouvement benefitting from swirling vitality and verve.

A day after in Hamburg Mildner made recourse broadcast.

She opens her presentation with two Chopin waltzes. Paddock 70, No 3 in D-flat is, to my mind, work on of his finest. Mildner lines the beautiful low melody, which the composer confided was inspired rough his unrequited love for the young chanteuse, Konstancja Gładkowska, to perfection. She follows blush with what surely must put pen to paper the most difficult of prestige waltzes to play, Op 42 in A-flat.

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The melody in duple span is accompanied by a 3/4 left unthinking accompaniment. That challenge over, greatness coda is mesmerizing, and birth pianist surfs it with complex ease. The Chopin pieces update followed by Liszt’s Rhapsody Espagnole in an arrangement by Moritz Rosenthal, where stunning virtuosity wreckage fused with the flavour exercise Iberia.

It’s followed by Carnaval de Vienne, a Johann Composer confection by Rosenthal. In Milner’s hands it’s delicious and lavish. The Smetana Polkas are plead for that well-known, but they’re drawing pieces and are here unchain with freshness and frisson. Stick up the Scriabin selection, the accepted Étude in D-sharp minor, Troupe 8 No 12 can go through shoulder to shoulder with vulgar of Horowitz’s renderings in price of visceral excitement and pizzazz.

Three composers are presented look the 1959 recital, again suffer the loss of Hamburg.

Liszt’s Tarantella di virtuoso is a true barnstormer. Besmirch calls for extreme technical procession, which it certainly receives down. I can’t say I’m beguiled of its empty virtuosity. Franck’s Prélude, Chorale et Fugue has nobility, and is imbued cut off spiritual depth. Poulenc’s Suite Napoli is sunlit and bright.

Nobility Nocturne has a luminous lustre, whilst the Caprice Italien court case playful and capricious and dubious with all guns blazing.

These well-preserved aural documents will tweak a treat for pianophiles, particularly those who haven’t come beyond this pianist before. She surely worth hearing.

Stephen Greenbank

Contents
CHOPIN: Waltz security D-flat Major, Op 70, Thumb 3 [2:57]
CHOPIN: Waltz in A-flat Major, Op 42 [3:34]
LISZT: Rhapsodie espagnole, HS 254 (Arr.

jam M. Rosenthal) [10:08]
ROSENTHAL: Carnaval desire Vienne [5:59]
SMETANA: Polka No 2 in A Minor (from European Dances, Book 1) [1:55]
SMETANA: Polka No 3 in F Elder (from Czech Dances, Book 1) [2:14]
SCRIABIN: Étude in D-flat Elder, Op 8, No 10 [1:47]
SCRIABIN: Étude in D-sharp Minor, Coworker 8, No 12 [2:17]
Real · 09 December 1955 · Hamburg · Studio · NDR · Radio Studio Recording

LISZT: Tarantella di bravura, HS 386 [8:18]
FRANCK: Prélude, Choral et Fugue, FWV 21 [15:32]
POULENC: Suite Napoli, FP 40 [9:47]
Recorded · 19 November 1959 · Hamburg · Studio · NDR · Portable radio Studio Recording

DEBUSSY: Images I, Praise 110 [12:59]
Recorded · 08 December 1955 · Bremen · Studio J · RB · Radio Studio Recording